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Nas's follow-up It Was Written debuted at #1 on the Billboard 200, stayed on top for 4 consecutive weeks, went Double Platinum in 2 months, and made Nas internationally known.
A couple of weeks ago, I listed the most overrated albums of the 1990s on Salon, from the bland mediocre lounge of “Endtroducing” to the mush-mouthed roots pap of “Car Wheels on a Gravel Road” to the banal grunting of poor tortured Eddie Vedder. The lyrics, too, achieve the same kind of gracefully clumsy ferocity, whether it’s Flavor Flav manically explaining the problems of inner city emergency response, a takedown of “Driving Miss Daisy” or Chuck D’s bizarre laid-back lover-man vamp about the politics of interracial dating in “Pollywannacracka.” Even the skits, usually a source of dread in hip-hop, are virtuoso statements of purpose: “Incident at 66.6 FM”, a remix of a PE interview, remains almost miraculously listenable on the 66th, or 100th, play.
Nick Cave and the Bad Seeds, “Murder Ballads” 1997Each track on “Fear of a Black Planet” is a Frankenstein monster of a sound collage, stitched together with all the seams showing — lumbering, lumpy, but still somehow managing to rock and funk simultaneously.
From 2001-2005, Nas was involved in a highly publicized feud with Jay-Z. In 2010, he released Distant Relatives, a collaboration album with Damian Marley, donating all royalties to charities active in Africa.
His 11th studio album, Life Is Good (2012) was nominated for Best Rap Album at the 55th Annual Grammy Awards.